Graphics in my life-making space has a special place because graphics is my greatest love. With the graphics, it starts: the drawing precedes any design with a pencil.
The graphics are very attractive, you want to look at it, and there’s always something to see: lines, strokes, spots and dots, unspeakable elements - ornament, text.
Mostly I always use a pencil, because it is a very flexible and obedient material, allowing for a variety of work within a small sheet. It also attracts relative simplicity of the technique, mobility of materials, brevity, and precision.
I love the line endlessly as the main expressive means of graphics. It’s what captures the elusive moment of life. Intertwined in many forms, it can be thin, exquisite and lace, prickly and angry, tender and velvety.
Even more, I like the stroke - infinitely different: vertical, horizontal, diagonal, soft cross, careless cross.
In my work in this series, I almost always use a color that plays a supporting role, helping to effectively highlight the main concept.
This series includes images carved into the heart.
This work is dedicated to the city of St. Petersburg. I showed the viewer all of his power through the power of the graphics. The guards are guarding the city against a bird’s-eye view, decorating the rooftops. I invite the viewer to take an exciting trip around the great city. The weather in the city is not chosen by chance, it reflects its essence.
Life or abyss
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The picture raises a difficult question for the audience: Is there life after the fall? The protagonist goes through a difficult period in his life, problems from all sides engulf him, whiskey and cigarettes exacerbate his condition, seemingly a little more and malevolent octopus down him to the bottom from which he will never escape. But suddenly, a female image emerges, a meeting with a like-minded person takes place, a turning point in life. Usually, in life, it happens when it feels like there’s no way out, he’s there. I use a lot of artistic imagery in this picture, to enhance the perception effect. I always draw attention to it in red, and I always increase the agony. I ask the audience: how far can we fall? How many times can we get up? Has he ever encountered an octopus? Each will resolve this issue in his own way, based on his or her experience of good and evil.
Metamorphosis: fall
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This is a graphical version of «Metamorphosis: autumn» from the series «Ephemeral Existence».
I suggest that the viewer look back at these infinite strokes: vertical, horizontal, diagonal, soft crossroads, careless crosswalks. In all these lines, somewhere exquisite and lacy, somewhere careless, but woven together in a variety of shapes.
It’s a very vivid and distinctive representation of the image, isn’t it? In this work, a girl comes to life in front of the audience, who is mainly a metamorphosis in nature. The girl is the transition from summer to autumn, which is not so obvious in the graphic version.
The portrayal of the heroine features the sadness inherent in the mood from the summer season to the autumn season. However, despite such notes, the heroine cannot but take the spectator with her on a beautiful journey through mountain ash and maple, an endless leaf entangled in thick as forests, hair.
Mother's love
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In this work I transmit all the power of mother’s love, choosing the image of tiger and tiger. An emotion is seemingly incomparable to the militant nature of the tiger: awe and tenderness. But that’s the story, that’s the decision I felt in harmony. In this graphic work, I actively use color to express the special energy of feelings. I immerse the viewer in the beautiful, bright, autumn forest, where the central element was this lovely couple in the flow of unconditional love. I’m filling up with tenderness and pleasant emotions, sharing positive energy.